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Director's Notes

Greg Wheatley, Musical Director of the Glen Ellyn-Wheaton Chorale, shares his thoughts about past and future concerts, musical works we've performed, and the many joys of choral music.


I am writing this blog on Labor Day. For many, Labor Day marks the unofficial gateway out of summer into our regular fall routines. There's school for many, the startup of activities that have been suspended for the summer. For those of us in the Glen Ellyn-Wheaton Chorale, it signals the beginning of a new season of singing together!

The Chorale is excited to begin rehearsal on this year's Wintersong concerts—our annual Christmas offerings. I'm looking forward to some wonderful music this year! Let me give you just a sampling. Here is another rousing piece from Mack Wilberg:

Noe! Noe!
Shepherds, rise—look up and see new light yonder breaking,
Brighter than the noonday sun, all your sheep awaking.
Wonder, whisper, "Ah, Noe!" Christ is born this holy day!
He is come to you, lowly shepherds, true!
He is come unto you, Morning Star and New Day!
Wonder, whisper, "Ah Noe!"

For those of you who attended Wintersong 2018, you will remember the haunting beauty of Elaine Hagenberg's All Praise to Thee. This year, the Chorale will sing another of Elaine's settings—Wexford Carol.

Good people all, this Christmas time,
Consider well and bear in mind
What our good God for us has done
In sending His beloved Son.

From energetic processional to quiet candlelit conclusion, Wintersong 2019 promises to be a concert that will help you begin your Christmas season with joy! The Chorale will be joined by organist Dan Mattix and a chamber orchestra. And as always, we'll invite you to join us in singing some of the carols of Christmas! All of that, and of course, the Chorale's Ensemble directed by Mac Willaert. I hope you'll mark your calendar now and watch our website for ticket availability. We'd love to see you there!


For more information, visit our Tickets page.

I Guess I'm a Little Bit Country After All!

"Dad, that was such a 'Southern' thing you just said!" I heard those words from my daughter more than once while she was growing up. My response—whether verbalized to her or not—was usually "What are you talking about?" I am a Midwesterner through and through—born in Michigan and lived all my life either in that state or here in Wheaton. It doesn't get much more "Midwest" than that!

But here's the thing: I do have a heritage that includes our nation's southland. My father was born and spent the first few years of his life in the tiny town of Big Sandy in west Tennessee. My mother is a Texan. So, it turns out my daughter was hearing things in some of my speech that even I couldn't hear. (As far as I know, I never called the kids to dinner the way I remember hearing it growing up: "Y'all come on.” That is an exact quote of the summons I heard many times from my mother and my grandmother.)

So what does all of this have to do with a choral concert? Just this: as I've grown older, I've come to appreciate some of the heart and soul contained in the music that has its source in our nation's South. There is a genuineness—a sort of earthiness—that you hear in much of this music. And so it is with the song Angel Band, one of my favorites from our upcoming concert.

Angel Band has an interesting history. It began its life as a song included in hymnals in the middle of the 19th century. Jefferson Hascall wrote the text in 1860, and it was set to music by William Bradbury (the man who also wrote Jesus Loves Me) in 1862. But here is where the influence of the South comes in. Angel Band has since been adopted into the repertory of bluegrass music, made most famous by the Stanley Brothers. The poignancy of the text is clear:

The latest sun is sinking fast, my race is almost run,
My strongest trials now are past, my triumph is begun.
O come, angel band, come and around me stand,
O bear me away on your snow-white wings to my immortal home.

And now, Shawn Kirchner has arranged this compelling song in a traditional choral setting, the one you'll hear in the Chorale's concert. But though the arrangement is made for a traditional choir, I think you'll still feel the wonderful emotion of this song coming through:

I know I'm near the holy ranks of friends and kindred dear,
I've brushed the dew on Jordan's banks, the crossing must be near.
O come, angel band, come and around me stand,
O bear me away on your snow-white wings to my immortal home.

Angel Band is just one of many songs from America that you'll hear in Celebrate! A Tapestry of American Music. I hope we'll see you at one of our concerts!

AND DON'T FORGET! Our special guest for this concert is Keith "Doc" Hampton, who will conduct his own song Celebrate! I know you'll enjoy it!

Click here for a preview of our concert.

The Glen Ellyn-Wheaton Chorale presents:
Celebrate! A Tapestry of American Music

Friday, May 10 at 7:30 p.m. and Saturday, May 11 at 3:00 p.m.
College Church in Wheaton

More information and purchasing options on our Tickets page.

A Most Amazing Day!

In this edition of our Director's Notes, GEWC accompanist and Ensemble director Mac Willaert shares some thoughts on one of his favorite pieces in our upcoming concert Celebrate! A Tapestry of American Music. Enjoy reading, and then click on this website to order your tickets for May 10 or 11!

As I sit at my desk on a sunny April day, the breeze gently coming in through the window and birds chirping in the trees, I can't help but be thankful – spring has finally sprung! One can never take that for granted with Illinois weather, and it may disappear once or twice more before arriving on a more permanent basis, but this is a very literal breath of fresh air, and it has me feeling ready for all that spring brings. This, of course, includes our upcoming spring program, Celebrate! A Tapestry of American Music, which will cover myriad genres and periods of the American choral tradition. Topically, one of the songs I am most fond of from the upcoming program is a piece the Ensemble will be singing, a setting of the famed poet E.E. Cummings' "i thank You God for most this amazing."

For those unfamiliar, Cummings was an esteemed American poet with an unorthodox use of grammar and sentence structure, hence the seemingly strange title of the poem. He was prone to using a lower-case "i" to address himself as a show of humility, while giving proper noun capitalization to other words and subjects he wished to emphasize or show deference towards, such as in this instance, "You God." Cummings goes on throughout the piece to express (in his own avant-garde fashion) a gratitude and thankfulness for God's creation; "the leaping greenly spirits of trees, and a blue true dream of sky," "live and love and wings," "everything which is natural, which is infinite, which is yes."

There have been countless settings of this text for choral work, but the version I am perhaps most fond of was written by American composer and singer Elliot Z. Levine. In the span of one piece of music, he captures the playfulness and whimsy of nature alongside the marvel of being part of something greater than yourself. The music paints the picture in a way that complements the text tremendously, and it never fails to put me in a good mood. If it is possible for a song to sound like spring, Levine has nailed it. It is perhaps the trickiest piece for the Ensemble to tackle in this program, but we are diligently at work and are so looking forward to bringing it to our audiences in May.

I like to picture Cummings writing this poem on a day much like today, where you can't help but pause and appreciate the beauty around us. No matter your faith, your background, or your beliefs, we have all experienced that wonderful sensation of a most amazing day, and with any luck, May 10th and 11th will be just that. See you then!

Celebrate! A Tapestry of American Music
Friday, May 10 at 7:30 p.m. and Saturday, May 11 at 3:00 p.m.
College Church in Wheaton (corner of Washington and Seminary)

Tired of the Winter Weather?

Now let's be honest. Most of us, with few exceptions, actually choose to live here in the Midwest. So I guess we're without excuse. But knowing that doesn't make this winter weather much easier to bear. Snow, ice, extreme cold. We've had it all these past several weeks. And I'm ready for spring! How about you?

Let's go ahead and assume that spring will be here by the weekend of May 10 and 11. (I know. You can never be too certain in Chicago.) That's the weekend that the Glen Ellyn-Wheaton Chorale presents our spring concerts Celebrate! A Tapestry of American Music. Ah, think of it! We could be enjoying temperatures in the 60s by then . . . or maybe even warmer! Maybe we should just pause right now and think on that a few minutes.

Now, let me ask you to do something. Why not go ahead and mark Friday, May 10 and Saturday, May 11 on your calendar? I think you'll find it an afternoon or evening well spent, as the Chorale takes you on a musical tour of some wonderful music by American composers. Here's just a sampling:

James Erb's classic setting of this beloved American folk song

Ain'-a That Good News!
A lively setting of a standard in the spiritual genre

Long, Long Ago
Dan Forrest's setting of this Fosteresque song

Bound for the Promised Land
This American folk hymn comes alive at the hands of arranger Mack Wilberg

Route 66
Take the famous road that stretches from Chicago to Los Angeles!

And many more! We'll be enjoying the warmth before you know it! Take a minute now, mark your calendar, and stay tuned to this website for more information about tickets!

Celebrate! A Tapestry of American Music
Friday, May 10 at 7:30 p.m. and Saturday, May 11 at 3:00 p.m.
College Church in Wheaton (corner of Washington and Seminary)

A Musical Moment from WINTERSONG 2018

One of the thrills of being the guy who gets to stand in front of the Glen Ellyn-Wheaton Chorale is hearing a piece of music come to life. Weeks of rehearsal pay off as a piece that was once brand new becomes an old friend.

There is another moment of joy when we get together for the first time with our orchestral friends. This fine group of players raises everything to a new level. What was already a beautiful piece of music now shimmers with the added sounds of musicians—strings, percussion, organ—all of whom are highly skilled in what they do.

Let me share just one of those moments with you. My friend and colleague Howard Whitaker lends his saxophone artistry for two pieces in our upcoming Christmas concerts. One of those pieces is Dan Forrest's memorable setting of O Little Town of Bethlehem. I'm fairly certain that you've never heard this familiar carol set quite this way! Forrest's imaginative harmonies are brought to life by the Chorale, Mac Willaert's piano accompaniment, the strings, and Howard Whitaker with a very soulful soprano saxophone.

I hope you'll take a moment and listen to the Glen Ellyn-Wheaton Chorale, along with piano, strings, and saxophone, as we sing this wonderful music. Then, may I invite you to get your tickets now for Wintersong 2018? There's lots more where this came from!

Greg Wheatley, Musical Director
Glen Ellyn-Wheaton Chorale

It's the Most... BEAUTIFUL Time of the Year!

We do not want merely to see beauty, though, God knows,
even that is bounty enough.
We want something else which can hardly be put into words — to be united
with the beauty we see, to pass into it, to receive it into ourselves,
to bathe in it, to become part of it.

— C.S. Lewis in The Weight of Glory

This may seem at first like a strange quote with which to begin a blog about Christmas music! But as I sit thinking about some of the beautiful music being prepared by the Glen Ellyn-Wheaton Chorale for Wintersong, I think it may be rather relevant after all.

Christmas has long been my favorite season of the year. One of the reasons for this, I think, is the great beauty it brings. Think of it—what could be more beautiful than God stooping to become one of us? Here is a Love that is beyond understanding—a Love that has moved artists and musicians through the years to create some of the most beautiful works imaginable. From Handel's Messiah to Bach's Magnificat, artists have found in the Incarnation inspiration to create works that literally soar to the heights.

As the Chorale prepares for our Wintersong 2018 concerts, we're anticipating sharing the joy of this music with you! In this post I'd like to share just two of the pieces on our concert that have made it to the top of my "Beautiful Music" list.

First, there is Ecce Novum, by Ola Gjeilo. The framework for this piece is really quite simple: it moves through several keys, but the harmonies remain basic. And so, it is a bit difficult to describe just why this piece is so moving. The Latin text paints the picture of Jesus' birth, and perhaps it is the simplicity of the music matching the bare simplicity of a birth in a manger that moves us. Gjeilo has given the piano the role of a straightforward accompaniment, and the strings whispering above it are marvelous.

The second piece I want to mention here is All Praise to Thee by Elaine Hagenberg. The Chorale is singing two of Hagenberg's pieces on these concerts, and this will be the first time that the music of this young composer has been sung by the Chorale. Once again, this piece is not complex, but has melodies and harmonies that are easily accessible. It too brings together the piano and strings for a striking and beautiful accompaniment. The text is by Martin Luther:

All praise to Thee, eternal God,
Who, clothed in garb of flesh and blood,
Dost take a manger for Thy throne,
While worlds on worlds are Thine alone.

And then, what I think is one of the most beautiful features of this piece, a refrain that recurs throughout, consisting of a single, beautiful word: Alleluia. This Alleluia is first sung quietly, but gains intensity, and in the final moments of the piece, is sung with rapturous joy!

I am looking forward to sharing this beauty with you! And these are just two of many more pieces that I think you will find bring you great joy this Christmas season.

In addition to the full Chorale, Wintersong 2018 features the Ensemble, directed by Mac Willaert (who also serves as the Chorale's accompanist), the College Church pipe organ played by Daniel Mattix, and our wonderful string ensemble. In addition, saxophonist Howard Whitaker will join the Chorale for two selections. I certainly hope you'll put the dates on your calendar and order your tickets by visiting our Tickets page. I think you'll find Wintersong to be a wonderful way to begin your Christmas season!

Glen Ellyn-Wheaton Chorale
Wintersong 2018
Friday, November 30 at 7:30 p.m. and Saturday, December 1 at 3:00 p.m.
College Church in Wheaton

Behold a New Joy! Behold a New Wonder!

Behold, a new joy,
Behold, a new wonder!

So begins the English translation of Ola Gjeilo's Ecce Novum. This hauntingly beautiful piece is just one of several that the Glen Ellyn-Wheaton Chorale is preparing to sing in our upcoming Christmas concerts, Wintersong 2018. This work for chorus, piano, and strings shimmers with the wide-eyed wonder of the Incarnation that is Christmas. And it's just one of many other pieces you'll hear. Here are just a few more to whet your appetite:

O Little Town of Bethlehem is set by Dan Forrest (recall Dan's wonderful See Amid the Winter's Snow sung by the Chorale in a recent Wintersong concert). O Little Town of Bethlehem features the choir, piano, strings, and—of all things—a soprano saxophone!

Rejoice and Sing! by John Rutter. You'll need to be able to count to seven for this one! That's right—it's I Saw Three Ships in 7/8 time!

Sussex Carol in a setting by Elaine Hagenberg. Elaine is a young composer who is writing some absolutely beautiful music! We'll also sing her setting of All Praise to Thee, with  text from Martin Luther.

O Come All Ye Faithful. But wait a minute! Not exactly as you may be thinking of it! This is a rollicking setting by Jacob Narverud of the Pentatonix version of this favorite Christmas music.

Sound like Christmas? It does to me! It's not too early to get one of our concerts on your calendar! We'll present two concerts, each featuring the Chorale, the Ensemble under the direction of Mac Willaert, the pipe organ, and strings. And as always, you'll be singing along too in several carols of Christmas.

So . . . mark your calendar for Friday, November 30 at 7:30 p.m. or Saturday, December 1 at 3:00 p.m. Our concerts, as always, are at College Church, corner of Washington and Seminary in Wheaton. Watch this website for ticket availability and other information pertaining to the Chorale.

We hope to see you in our audience this Christmas!


LOVE IS IN THE AIR... and There's Lots of Music!

Stack of music with flyer

They say a picture is worth a thousand words, and I think the photo you see here says it all! For the singers in the Glen Ellyn-Wheaton Chorale, and for us who are directors, accompanists, and instrumentalists, this stack of music represents the many hours of rehearsal that have gone into preparing for our spring concert LOVE IS IN THE AIR. And yes . . . every piece you see in this picture will be heard in our concert—and actually a few more not pictured here that will be sung by our smaller Ensemble.

See anything you like? We think there's something for just about everyone in this concert! Let me give you a brief tour of some of the highlights:

Starting at the top left of the photo, it's George Gershwin's classic Love Is Here to Stay. Vintage 1930s jazz in a nice arrangement by Mark Hayes. That blue cover that's hiding just to the right of the Gershwin piece is a beautiful setting of the W.B. Yeats poem Down by the Sally Gardens. It's for the men of the Chorale, accompanied by piano and clarinet. And speaking of the poetry of Yeats . . . bottom center is René Clausen's The Cloths of Heaven, commissioned and debuted by the GEWC two years ago.

Two pieces by Z. Randall Stroope represent some of the most beautiful choral writing in this concert. Song to the Moon is a setting for choir, piano, flute, and oboe. It evokes images of a lonely man or woman, asking the moon to go and tell their beloved of their true feelings. Go Lovely Rose sets the Edmund Waller poem that also seems to be speaking to an inanimate object—this time a rose—but is really aimed at the beloved.

Moving a bit to the popular side of the program, you'll find titles such as Rainy Days and Mondays, the Beatles' classics Michelle, Yesterday, and Can't Buy Me Love (sung by the Ensemble). If you remember Elvis Presley crooning Can't Help Falling in Love, I think you'll enjoy the Chorale's rendition of that early 1960s hit.

And as they say . . . "Wait! There's more!" But you'll have to hear it for yourself! Why not join us for an enjoyable afternoon or evening of love songs? Two concerts to choose from: Friday, May 11 at 7:30 p.m., or Saturday, May 12 at 3:00 p.m. Both concerts are at College Church in Wheaton (corner of Washington and Seminary). Tickets are available online. Just look for the info on this page and click on the banner.

We'd love to have you in our audience!

Greg Wheatley
Music Director
Glen Ellyn-Wheaton Chorale

LOVE IS IN THE AIR: An Adventure in Eclecticism

ECLECTIC: Selecting what seems best of various styles or ideas (

Eclectic could well describe the Glen Ellyn-Wheaton Chorale's spring concert LOVE IS IN THE AIR. Let's just take a look at some of the wide-ranging musical selections you'll hear at this concert:

The Cloths of Heaven—the Chorale's 2016 commission by composer René Clausen. This beautiful composition for choir and piano features Romantic harmonies, with a sweeping piano accompaniment, and sets the text of W.B. Yeats. You can view the Chorale singing this piece in its debut performance.

Love Is Here to Stay—this Gershwin classic is given life by arranger Mark Hayes. You may know this song from the 1938 film The Goldwyn Follies.

Yesterday—the classic from John Lennon and Paul McCartney, arranged for a capella choir by Bob Chilcott.

Rainy Days and Mondays—directly from the Carpenters to you . . . by way of the arrangement of the late Steve Zegree.

And then, to that eclectic mix of titles, add this: an intentional juxtaposition of two eras in one piece of music! Jazz pianist George Shearing has set the Shakespeare text Live with Me and Be My Love in a wonderful jazz setting for choir, piano, and string bass.

So . . . safe to say that you're almost guaranteed to find something that will catch your fancy!

In addition to our regular accompanist Mac Willaert, the Chorale will be joined by three talented instrumentalists who will bring their expertise to bear in this concert. Jeff Padgett and Marissa Webb will join on oboe and flute in the hauntingly beautiful Song to the Moon by Z. Randall Stroope. And throughout the concert, Hannah Novak plays string bass on some of those jazz pieces.

The Glen Ellyn-Wheaton Chorale presents LOVE IS IN THE AIR twice—Friday, May 11 at 7:30 p.m. and Saturday, May 12 at 3:00 p.m. Both concerts are at College Church in Wheaton. That weekend happens to be Mother's Day weekend. Why not make one of these concerts a gift for that special person? Tickets are available online by clicking the banner on this page.

The entire Chorale joins me in hoping that we'll see you there!

Eric Whitacre's "A Boy and a Girl"

For this blog, I hand the pen to my colleague Mac Willaert. Mac is the very capable director of the Chorale's Ensemble. In this blog, Mac talks about his favorite selection from the Glen Ellyn-Wheaton Chorale's upcoming concert, LOVE IS IN THE AIR.

One of the most truly human experiences in our brief lifetimes on this earth is grappling with our own mortality. That may seem a grim opening to a Director's Note for a concert entitled LOVE IS IN THE AIR, but with that pain and sadness also comes great beauty and love—after all, if our time on this earth was not limited, would we be so inclined to say how we feel, to take that chance, to reach towards that which we long for? Our fleeting time imbues us with the urgency that lies at the foundation of almost every beautiful moment, and it is that essence which lies at the heart of one of my all-time favorite choral pieces, A Boy and a Girl.

Any choral aficionados, or even past guests of the Chorale, will recognize the name of Eric Whitacre, who is certainly among the most popular current composers, if not the most popular current composer. In this particular piece, Whitacre takes a gorgeous, haunting poem by Octavio Paz and sets it to one of his finest customary blends of painful dissonances and soul-stirring resolutions. As a composer, this is quite frequently his weapon of choice (to the point where he is even known to poke fun at himself for it): he creates textures so layered that they almost form a wave of sound designed specifically to tug at your heartstrings, only to keep you yearning until the last moment for the voices to resolve in an outpouring of musical emotion. Working with a text like this, it is easy to see why Whitacre felt his particular brand was a fit:

Stretched out on the grass
a boy and a girl.
Savoring their oranges,
giving their kisses like waves exchanging foam.

Stretched out on the beach,
a boy and a girl.
Savoring their limes,
giving their kisses like clouds exchanging foam.

Stretched out underground,
a boy and a girl.
Saying nothing, never kissing,
giving silence for silence.

Whitacre's unique ability to channel emotion through music is put to particular effect as he takes us on the journey of this couple, from their first date to their final resting place, side by side. It is simultaneously heartbreaking and yet vastly moving to know this nameless couple's time has come and gone, and yet they are side by side for eternity. That is love, and that is, to me, the human essence; to know our time is fleeting, and in spite of that, to live and love as fiercely as we can. Whitacre himself said:

I'm often asked which of my compositions is my favorite. I don't really have one that I love more than the others, but I do feel that the four measures that musically paint the text "never kissing" may be the truest notes I've ever written.

I am hard pressed to disagree.

LOVE IS IN THE AIR will be performed twice: Friday, May 11 at 7:30 p.m., and Saturday, May 12 at 3:00 p.m. Both concerts are at College Church in Wheaton. Please click on the banner on this page for more information.

Song to the Moon

What is it about the moon? This mysterious light in our night sky has fascinated us as long ago as history has been recorded. It's been the object of everything from poetry to scientific exploration. Sometimes we like to attribute human characteristics to the moon. Remember this little verse from your childhood?

I see the moon and the moon sees me.
God bless the moon and God bless me.

Before you wonder what this blog is all about . . . no, the Glen Ellyn-Wheaton Chorale hasn't turned into an astronomy club! And yes . . . we're still rehearsing a concert of love songs—LOVE IS IN THE AIR. But I do want to tell you about one of those love songs, and it has a lot to do with the moon.

Z. Randall Stroope has written an exquisite piece that sets the text of little-known Czech poet Jaroslav Kvapil (1868-1950). This text was actually incorporated into Antonin Dvorak's opera Rusalka. Stroope—whose name you may remember from the Chorale's Christmas concerts as the composer of This Endris Night—has paraphrased Kvapil's text:

La luna, your light sees through endless time,
Tell, O tell me, where my love lies.
O moon, e'er you pass, wake my dreaming lover.
I am waiting, I am calling.
Tell him come. Tell him, O moon.
Moon, help him. Help him remember and dream of me.
Tell him, O tell him who is waiting, who is longing!
I am waiting, longing!
Tell him come. Tell him, O moon.

The setting of this poem is Stroope at his finest. To the choir and piano, he has added the longing sounds of flute and oboe. He adds to this the recurring phrase la luna, set to musical intervals that cause the listener to feel the sadness of a missing love.

Without doubt, Song to the Moon is one of the more challenging pieces to prepare. But the challenge is one that pays off in an evocative setting of a beautiful text. We think you'll agree!

Song to the Moon is just one of many selections you'll be treated to when you attend one of the Chorale's LOVE IS IN THE AIR concerts. And there's some lighter fare as well! Songs like Rainy Days and Mondays, Love Is Here to Stay, and others.

LOVE IS IN THE AIR will be performed twice: Friday, May 11 at 7:30 p.m., and Saturday, May 12 at 3:00 p.m. Both concerts are at College Church in Wheaton. Please click on the banner on this page for more information.


Live with me, and be my love,
And we will all the pleasures prove
That hills and valleys, dales and fields,
And all the craggy mountains yields.
— William Shakespeare (?)

Go, lovely rose—
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.
— Edmund Waller

Michelle, ma belle, sont des mots qui vout très bien ensemble.
— John Lennon

Nothing takes the taste out of peanut butter quite like unrequited love.
— Charlie Brown

Ah love! From the bard Shakespeare himself to the likes of the hapless Charlie Brown, love has been the theme of countless poems, stories, and songs down through the ages. And this spring, the Glen Ellyn-Wheaton Chorale puts love front and center in our concert LOVE IS IN THE AIR.

Actually, three of the four texts with which I began this post are included in the Chorale's concert. (Guess which one didn't get a musical setting? Sorry, Charlie!) I'm excited about the wide variety of music you'll hear in this concert. Let me give you an overview, and then in coming weeks, stay tuned as Ensemble director Mac Willaert and I talk in greater detail about specific selections.

If you were in our audience for Wintersong 2017, you'll recognize the name Z. Randall Stroope. At Christmas we sang his setting of This Endris Night. Stroope's music is back this spring, and the Chorale is actually going to sing two of his settings. The first is his treatment of Edmund Waller's Go, Lovely Rose. The second is a hauntingly beautiful setting of Song to the Moon for chorus, piano, flute, and oboe.

Representing the more "popular" side of our concert are two arrangements of well-known Beatles tunes. These settings of Michelle and Yesterday were both made popular by the King's Singers, and I think you'll enjoy hearing them sung by the Chorale.

Are you more of a 30s and 40s aficionado? There's something for you too! How about these titles: It's Only a Paper Moon, Love Is Here to Stay, and Stormy Weather? Oh, and speaking of weather . . . the Chorale also takes a run at the Carpenters' hit song Rainy Days and Mondays.

There's much more on the program, and we'll have more to say about it in upcoming posts. But for now, mark your calendar for one of our two concerts: Friday, May 11 at 7:30 p.m. or Saturday, May 12 at 3:00 p.m. Both concerts are at College Church in Wheaton. And watch for more discussion right here in these blogs!

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